Last summer, the lovely and talented Hana Malia, with whom I am proud to have volunteered, turned me on to the idea of being prepared for emotional hardships and crises. She explained to me the simple and effective practice of having a box filled with phone numbers of loved ones, photos from happy times, mix cds of comforting music -- in short, a box full of things you know will elevate your mood.
A former Girl Scout to the core, this idea of being prepared for such a crises, just as you would prepare for for a natural disaster, makes total sense to me.
This makes less sense to me: last night, after a very trying week of school-related miseries, interpersonal breakdowns, bleak weather, and thinking about Haiti, Howard Zinn, and J.D. Salinger, I found myself huddled in a shaking mass on my bed. And I found out the hard way that the mix cds in my proverbial box o'coping methods are of angry, aggressive, politically-oriented music. When I am hurt or upset, my instinct is to listen to my favorite local bands and the ladies who inspire me the most -- bands like The Shondes, Cheeky, The Two Funerals, Scantron, Pretty Girls Make Graves, Zombie Dogs, Sleater-Kinney, among others.
It seems counterintuitive even to me to use rock and punk for such a purpose. Rock music has traditionally been made and performed with the intent of confronting, informing, and provoking, right? I know that my friends who listen to and play punk and hardcore do so because they want to challenge and be challenged.
I think partly because of my punk feminist beliefs, I tend to feel embarrassed when I'm upset by something. I know 'rationally' that feelings like sadness, loneliness, and despondence are perfectly normal, and that feelings aren't ever wrong, because they're subjective. But I can't get over this feeling that I'm being weak, and I wonder if my colleagues, and the girls in my circle of friends and acquaintances ever feel this type of shame.
I want to say this for both myself and for other girls who are struggling to balance being an emotional, functional human being with being a strong person: even the strongest, fiercest, most confident ladypunks get upset. The toughest, most anti-cheesy sentimentality, most hardcore diy of us female musicians, music writers, photographers, videographers, organizers, and promoters have days where we feel inadequate. We have days where we just feel bad, whether it's because of challenges at work, at home, with friends, or wherever. Even though the world is always demanding that all women, of all backgrounds, are required to constantly be perfectly happy and able to give of our time and energy.
And because we all have these negative and hard-to-manage feelings, I advocate a) having these feelings and learning to not feel bad about them and b) Hana's box. I have to admit that I haven't made an actual box, but I do have a sort of mental box, or mental list of things that I know will make me feel better. Here are some of the ones at the very top:
1. Will, Grace and Rachel Maddow. I know, I know: television doesn't seem like it has much to offer these days. But the fabulous genderqueerness and neurotically selfish antics on Will and Grace both make me laugh and remind me of home. On the other side of it, Rachel Maddow helps to keep me informed, and her reporting on big issues helps me to keep perspective. Also, how classy and clever is she? Watching her graceful takedowns of conservative pundits never fails to revive my faith in humanity.
2. The Girls Are and feministmusicgeek. Yes, I've already talked up feministmusicgeek, but I feel the need to do so again. Author Alyx Vesey never seems to have quite the same take on any given issue as I do, but she seems to care about a lot of the same issues around women and their access to music and performance as me. Her blog always makes me feel less alone. At the same time The Girls Are makes me feel less alone by supplying info and interviews with more and new underground girl and girl-oriented bands than I ever dreamed I could find all in one place. Their choices are impeccable, their writing is funny and sharp, and the blog is, in general, quite inspiring.
3. More Corin. My love of Corin Tucker is well documented in various places within this blog. The truth of it is that Corin is my most cherished feminist artist hero. So when I'm feeling sapped of my energy and drive, I read and watch interviews with her, and I remind myself of what I'm working for.
4. More talking. There's a lot to be said for being self-sufficient, and it's important to be able to take care of your emotions, yes. But that doesn't mean you always have to do everything alone -- a lesson my friends and I seem to keep learning, in new and different ways. I know that I personally find it hard to depend on others, but it's important to trust your friends and family to be supportive, and to tell them when something is bothering you. It's important to our individual well-being to be able to share our feelings, and it's important for our relationships.
And I'd even argue that it's important for our 'scenes': if you can't trust those closest to you, and build those relationships, how can you expect to trust your fellow musicians and colleagues, and to help build communities?
Showing posts with label Feminist Music Geek. Show all posts
Showing posts with label Feminist Music Geek. Show all posts
Friday, January 29, 2010
Tuesday, January 12, 2010
Get Excited: The New Year in Blogs
Have you ever lost something -- your keys, your phone, the remote, etc -- driven yourself crazy looking for it, and then found it as soon as you stopped looking? This apparently applies to blogs, too: awhile back I posted about the lack of feminist and lady music bloggers, and all but begged my comrades to come forth from the shadows. Sadly, few did so, and I felt resigned to my feeling of loneliness. And then shortly thereafter, I started to find exactly the sort of blogs I'd been hoping for -- how crazy is that!? Here are some of my favorites, so far:
Star Beat Music tracks, hypes and reviews quite possibly every single band that comes through New Jersey and New York City, and never ceases to amaze me with how quickly, accurately, and exhaustively it reports area music news. Run by Star, who is probably the hardest working blogger in showbusiness, I depend on this site for show info, and I maintain that every town and city should have a blog like this one.
Where Star Beat fulfills my news needs, Suck My Left One and Soul Ponies provide me with much needed regular doses of Riot Grrrl and queer history. At Suck My Left One you'll find videos, images, lyrics, songs, and links, all related to prominent Riot Grrrl bands, as well as other woman-powered rock of the period.
In contrast to these little daily relics from Riot Grrrl history, the nascent Soul Ponies has no fear of the long, reflective essay, and supplies smart, sassy commentary and context for every video and mp3 it posts. The blog also features book and show reviews, relevant tour and music news, and a much needed critical and aggressive approach to the documentation and sharing of our ladypunk history.
Etta Strange, though technically on hiatus during the construction of a new website, has a long and rich archive for new readers to dig into for now. I've been coming to this site to read about music, genres, websites, and record labels I've never even heard of. Self-described as having 'eclectic' tastes, the author/self-professed obsessive audiophile posts songs, videos, photos, playlists, and concise, smart observations and opinions about everyone from Charlotte Gainsbourg, to Lisa Lisa and the Cult Jam, to Uganda's Death Row Choir.
Finally, Feminist Music Geek is probably dearest of all these to my heart (much as I hate to pick a single favorite). The name "Feminist Music Geek" alone accurately describes what I am, as well as author Alyx Vesey. Vesey turns her laser sharp gaze on everything from album covers to movie posters, and writes fearlessly about women and gender in all musical aspects of pop culture. Her work uses theory but remains accessible, gets critical without getting nasty, and always manages to both validate my feelings about an issue and make me think about things differently. Vesey's take on Patti Smith is a good example.
I am in love with how these blogs inform me, entertain me, and introduce me to new ideas and artists. I'm heartened to see these bloggers documenting their changing tastes and thoughts on music and popular culture, all while they collect and preserve information and make it accessible to other readers and bloggers. Whether they know it or not, these bloggers carve out an important space within which dialogues can happen, and within which we can all actively consider and engage with music, media, and culture. These blogs allow us to become part of the cultural process, and that's more than just exciting. It's downright inspiring.
Star Beat Music tracks, hypes and reviews quite possibly every single band that comes through New Jersey and New York City, and never ceases to amaze me with how quickly, accurately, and exhaustively it reports area music news. Run by Star, who is probably the hardest working blogger in showbusiness, I depend on this site for show info, and I maintain that every town and city should have a blog like this one.
Where Star Beat fulfills my news needs, Suck My Left One and Soul Ponies provide me with much needed regular doses of Riot Grrrl and queer history. At Suck My Left One you'll find videos, images, lyrics, songs, and links, all related to prominent Riot Grrrl bands, as well as other woman-powered rock of the period.
In contrast to these little daily relics from Riot Grrrl history, the nascent Soul Ponies has no fear of the long, reflective essay, and supplies smart, sassy commentary and context for every video and mp3 it posts. The blog also features book and show reviews, relevant tour and music news, and a much needed critical and aggressive approach to the documentation and sharing of our ladypunk history.
Etta Strange, though technically on hiatus during the construction of a new website, has a long and rich archive for new readers to dig into for now. I've been coming to this site to read about music, genres, websites, and record labels I've never even heard of. Self-described as having 'eclectic' tastes, the author/self-professed obsessive audiophile posts songs, videos, photos, playlists, and concise, smart observations and opinions about everyone from Charlotte Gainsbourg, to Lisa Lisa and the Cult Jam, to Uganda's Death Row Choir.
Finally, Feminist Music Geek is probably dearest of all these to my heart (much as I hate to pick a single favorite). The name "Feminist Music Geek" alone accurately describes what I am, as well as author Alyx Vesey. Vesey turns her laser sharp gaze on everything from album covers to movie posters, and writes fearlessly about women and gender in all musical aspects of pop culture. Her work uses theory but remains accessible, gets critical without getting nasty, and always manages to both validate my feelings about an issue and make me think about things differently. Vesey's take on Patti Smith is a good example.
I am in love with how these blogs inform me, entertain me, and introduce me to new ideas and artists. I'm heartened to see these bloggers documenting their changing tastes and thoughts on music and popular culture, all while they collect and preserve information and make it accessible to other readers and bloggers. Whether they know it or not, these bloggers carve out an important space within which dialogues can happen, and within which we can all actively consider and engage with music, media, and culture. These blogs allow us to become part of the cultural process, and that's more than just exciting. It's downright inspiring.
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